Flash forward deep into the pandemic and the height of streaming theater while lying on a couch, I thought a lot about live, in-person stage chemistry.
Ballet Austin’s spring season at the Long Center for the Performing Arts is composed of a mix of comedic, contemporary and canonical ballets that range from Artistic Director Stephen Mills’s A Midsummer Night’s Dream (February 11-13), to Her Stories (April 1-3) with unique works by three female choreographers, to the traditional Swan Lake (May 6-8).
Two of the central artworks in Mel Chin’s latest exhibition, Inescapable Histories, on view at the University of Texas at Arlington through March 30, are diptych paintings of a circular shape, resembling a solar body.
If conversation can truly rise to an art form, Rice University’s Moody Center for the Arts has proven a most creative ground for such an idea-exchanging medium.
Opera’s grandeur will at last come back to the Winspear Opera House on Feb. 18, when TDO revives its production of Giacomo Puccini’s Madame Butterfly (through Feb. 26).
More than twenty years after his death, his legacy will be honored in the retrospective, Octavio Medellín: Spirit and Form, on view at the Dallas Museum of Art, Feb. 2, 2022- Jan. 15, 2023.
North Texas has a new ballet company, but don’t expect a production of Swan Lake or The Nutcracker. “I love those ballets; I’ve performed them as a professional,” says Diana Crowder, Artistic Director and Founder of Pegasus Contemporary Ballet.
This force, rooted in Red Star’s deep connection to Crow culture and identity, is foundational to all of Red Star’s works. When the San Antonio Museum of Art (SAMA) presents Wendy Red Star: A Scratch on the Earth (Feb.11-May 8), it will be the first solo exhibition of a Native American artist for the museum.
Even once the show goes on, the director’s work is still not done. This has become especially true for the Tony winning director of Hadestown, Rachel Chavkin.
Frances Stark hasn’t been this angry and disillusioned with the state of the world in a while—if ever. That’s evident in FOCUS: Frances Stark of the artist’s paintings on display at the Modern Art Museum of Fort Worth through January 9.
First opened at the Virginia Museum of Fine Arts and on view at the Contemporary Art Museum Houston (CAMH) through Feb. 6, 2022, The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse is a survey of Southern art that shies away from nothing.