Sometimes the final act brings resolution and neatly ties up an epic tale. Sometimes the final act leaves little resolution and gives an opening for a follow-up, or nothing at all.
After 50 years in business, Betty Moody continues to run her gallery with passion and enthusiasm. She is celebrating this landmark occasion with two shows featuring gallery artists: Part I runs from Sept. 13 to Oct. 25, and Part II from Nov. 8 to Dec. 20.
The Fort Worth Symphony Orchestra still has its eye on Beethoven, Brahms, Debussy and their ilk. But it will peek beyond its artistic home turf next season, when it will share Bass Performance Hall with actors, dancers and even masterpieces of Spanish painting.
The three witches in Shakespeare’s Macbeth, nursing their cauldron of toil and trouble, rank among the most chilling characters ever set loose onstage. Imagine what might happen if they found an apprentice to carry on their dark arts.
Katie Puder isn’t one to do things halfway. For Avant Chamber Ballet’s 13th season, the founding artistic director is nearly doubling the company’s repertoire, launching a new subscription series for families, premiering two original ballets, and restaging a landmark production by mentor and longtime collaborator Paul Mejia.
A conversation with Mario Aschauer, Founder and Artistic Director of Harmonia Stellarum Houston (HSH), often involves plunging down rabbit holes and winding through meandering paths before the subject emerges with newfound depth and clarity.
One of the profound joys of being a curator (and an arts writer) is discovering the work of an artist and, over the course of years, witnessing and supporting the development of their unique and uncompromising creative vision.