When visitors step into New Horizons: The Western Landscape at the Amon Carter Museum of American Art, they won’t find sagebrush clichés, cowboys in silhouette, or sweeping vistas painted to satisfy nostalgia.
The first stitch in Marilyn Henrion’s journey to becoming an acclaimed textile artist began in two rooms on New York’s Lower East Side where she lived alongside her parents and seven siblings.
From a self-portrait worth $55 million to hand-painted shoes on Etsy, from egg cups to a biographical ballet and lookalike festivals across the globe, very few artists have ever inspired and driven the world’s imagination like Frida Kahlo.
On a November night in Paris in 1925, a collective of outlier artists launched a movement intent on tapping into unconscious creativity. A century later, surrealism’s unsettling imagery and thought-provoking themes still seem as timely as the years it was introduced.
Indefatigable Alexa. That’s the only way to describe Austin’s Alexa Capareda, whose professional artistic engagements include dancing, choreography, teaching, film, drawing, arts administration/organization, and now additionally, acting.
It should surprise no one that in Houston, the fourth largest city in the country, the art of opera is thriving on the Wortham Theater Center stage downtown as well as in urban breweries and suburban performing arts spaces.
The sign outside the Northwest Houston church where the Monarch Chamber Players opened their sixth season read, “We bring the concert hall to your neighborhood.”
In a city like Houston, one vast, improvisational, and definitely plural, artists often find their footing not through institutions, but through the communities that rise between them.
“I'm sort of a frustrated writer, in a sense,” Candace Hicks tells me over Zoom. “And so, making artist books is a way of self-publishing. It’s also a way of making things permanent.”