The Kimbell Art Museum in Fort Worth will give Texas art lovers a new and unique perspective on the complex genius with the exhibition Goya in Black and White, Oct. 7-Jan. 6, 2019.
When Tony®-Award-nominated director and choreographer Dan Knechtges took the helm of one of Houston’s oldest and largest theater companies, Theatre Under the Stars, he knew the artistic director title might require steering the organization through some stormy times, but he likely wasn’t ready for a real hurricane.
In May 2018, Teresa Coleman Walsh published an essay on HowlRound, the popular online platform for theater makers sponsored by Emerson College, titled “The Ugly Truth about Arts Institutions Led by Women of Color.”
Continuing its unique mission to explore and incorporate diverse folkloric elements and global inspirations while enriching and augmenting the classical repertoire, Apollo Chamber Players embarks on its second decade with fresh ideas and new sounds.
Alecia Lawyer, the River Oaks Chamber Orchestra’s artistic director, introduced the idea discreetly last fall: She and two other musicians devoted a program on the group’s Unchambered series entirely to works by female composers.
In 1992, two young local artists, Robert Herrera and Oscar Cortez, began transforming a 700-square foot wall section around the Holly Street Power Plant in East Austin into a spray-painted story of identity, pride, and community.
“It is not an acropolis we want there. It is not Culture on a corner. I think of the new museum building as a stage environment to house the multimedia in which artists of today are working.”
A death in the family, the loss of a home, a call to leave a familiar position or job and head out alone are the kinds of dramatic life changes all of us, including artists and companies, are likely face sooner or later.