The plays change but the players remain the same: Such is the model of a resident acting company, a group of artists who create theater together as a team.
A festival celebrating arch-Romantic composer Robert Schumann. Spotlights on Richard Strauss, master of orchestral tone-painting, and today’s John Adams. A pairing of dramatic but little-known choral works by Felix Mendelssohn and Gustav Mahler.
Up-cycled dresses on mannequins, paintings of deconstructed tracksuits, and massive lengths of cloth made with consumer technology fill the upstairs of the Contemporary Arts Museum Houston.
My name is Agostina Migoni and I am an opera singer. My grandfather, who lived with us during my childhood, was also an opera singer and my first music teacher, so I feel that my career path was determined pretty early on.
When I walk into Audrya Flores’s home studio in San Antonio, I find a wood-paneled room, with a carefully curated selection of objects—needlework, prints, collages, fabric pieces—paired with found things—a turtle shell, stones, a preserved bat, potted plants.