Past exhibitions by Kamrooz Aram have carried such provocative titles as Unstable Paintings for Anxious Interiors and Ornament for Indifferent Architecture.
“You are going to love this program,” Eduardo Vilaro told me as we shared a glass of wine last summer while his troupe, Ballet Hispanico was gracing the Jacob's Pillow Stage.
It’s a Tuesday night at Buzzbrews Kitchen in Dallas’ Uptown neighborhood, where tattooed waitresses with Bettie Page-inspired hairstyles are ferrying plates of hot pancakes and bacon to their tables.
For the past 20 years, the National New Play Network has connected nonprofit theaters across the U.S. through the cultural importance of new plays and living playwrights.
The artist, Josiah McElheny, working with cosmologist David Weinberg, creates a gallery-sized installation, consisting of five hanging chromed-metal, transparent hand-blown glass and light sculptures.
KINETIC, the conductorless ensemble directed by Natalie Lin, closes its third season with Musical Madness on May 6 at the MATCH with a program that includes works by Mozart, Carlo Gesualdo, Erkki-Sven Tuur, Osvaldo Golijov, Beethoven and the ensemble’s own Giancarlo Latta. Lin visited with A + C editor Nancy Wozny on all things KINETIC and this season’s big accomplishments.
Matthew Dirst, artistic director of Ars Lyrica Houston, has an unerring ability to put together programs that are musically rich and varied, framed in fascinating historical context, and vividly brought to life by the finest guest soloists and musicians.
Outspoken Bean is the shortened version of his full stage name, Outspoken Rogers Lee Bean, Jr., after his older brother who was murdered one day before the largest Slam Poetry competition Bean had ever been in.