Alecia Lawyer, the River Oaks Chamber Orchestra’s artistic director, introduced the idea discreetly last fall: She and two other musicians devoted a program on the group’s Unchambered series entirely to works by female composers.
In 1992, two young local artists, Robert Herrera and Oscar Cortez, began transforming a 700-square foot wall section around the Holly Street Power Plant in East Austin into a spray-painted story of identity, pride, and community.
“It is not an acropolis we want there. It is not Culture on a corner. I think of the new museum building as a stage environment to house the multimedia in which artists of today are working.”
A death in the family, the loss of a home, a call to leave a familiar position or job and head out alone are the kinds of dramatic life changes all of us, including artists and companies, are likely face sooner or later.