Manalo’s family immigrated to the United States from the Philippines when he was nineteen, sparking what would become one of the major driving questions - what does ‘home’ mean?
In Kinetic’s collaborative model, each of the 16 musicians in the conductorless string ensemble brings his or her creative voice to the table, to the rehearsal space, and to the concert stage.
The Houston Symphony’s new music director, Juraj Valčuha, acknowledged that opening the season with a requiem may strike some as “a strange idea.” But Giuseppe Verdi’s Requiem is no ordinary setting of the mass for the dead.
When the Apollo Chamber Players made its debut, grand visions of the future had nothing to do with it. The quartet, violinist Matthew Detrick recalls, had one simple goal: “to do that first concert.”
When one of Houston’s most acclaimed poets, Deborah D.E.E.P Mouton, set out to interview the city’s most legendary dancer, Lauren Anderson, she didn’t have a fully-formed creative objective.
After a performance season filled with joyful starts, heart-breaking cancellations and casting understudies for the understudies when positive COVID tests rolled in, Texas theater companies have endured much real life drama to make the leap back to live performances.
Just as the song was a response to the concerns of its time, the works that constitute the central exhibition of FotoFest Biennial 2022: If I Had a Hammer (Sept. 24-Nov. 6 at Silver Street and Winter Street Studios) confront the issues of our time.
If you saw Innominate by Afsaneh Aayani at Catastrophic Theatre, you might think you know who Aayani is. You would be right and wrong at the same time.
Ars Lyrica is picking up right where it left off. After closing last season with the poignant finish of Henry Purcell’s Dido and Aeneas, Houston’s baroque ensemble will launch its 2022-23 season with another helping of the melancholy, gently dissonant harmony that bears Purcell’s trademark.
How does craft tell stories differently than other visual arts media? I posed this question to Texas-raised, Los Angeles-based artist and curator Andres Payan Estrada, juror for CraftTexas 2022, the biennial juried exhibition presented by Houston Center for Contemporary Craft (HCCC), now in its 11th edition.