It’s been way too long since I sat around the virtual table with our fabulous theater writers Lindsey Wilson and Tarra Gaines to chat about all things performing arts in Houston, Dallas and beyond.
McKay’s goal for each concert is to create a program that has an arc and trajectory to it, making an experience that feels organic in the way it unfolds.
Booth hopes that the program will continue to prove Houston’s cultural excellence to go along with the city’s reputation as a home to global business innovators.
In Kinetic’s collaborative model, each of the 16 musicians in the conductorless string ensemble brings his or her creative voice to the table, to the rehearsal space, and to the concert stage.
The Houston Symphony’s new music director, Juraj Valčuha, acknowledged that opening the season with a requiem may strike some as “a strange idea.” But Giuseppe Verdi’s Requiem is no ordinary setting of the mass for the dead.
When the Apollo Chamber Players made its debut, grand visions of the future had nothing to do with it. The quartet, violinist Matthew Detrick recalls, had one simple goal: “to do that first concert.”
When one of Houston’s most acclaimed poets, Deborah D.E.E.P Mouton, set out to interview the city’s most legendary dancer, Lauren Anderson, she didn’t have a fully-formed creative objective.