Ars Lyrica is picking up right where it left off. After closing last season with the poignant finish of Henry Purcell’s Dido and Aeneas, Houston’s baroque ensemble will launch its 2022-23 season with another helping of the melancholy, gently dissonant harmony that bears Purcell’s trademark.
In Artistic Director Sarah Rothenberg’s mind, a quintessential DACAMERA season must have a balance of beloved masterpieces performed by great musicians from the classical world, and fantastic jazz of varying styles that reflect the ever-widening genre.
English Baroque composer Henry Purcell’s Dido and Aeneas, his only true opera, is an indisputable masterpiece and one of the most beloved operas in the repertoire.
To help make the 65th-anniversary season special, the company is staging four operas that it hasn’t produced in more than a decade, Derrer says, and it will showcase each in a production that’s new to Dallas audiences.
During the height of the streamed performing arts portion of the pandemic, I thought a lot about the difference between being a viewer and an audience member.
The Tobin Collection of Theatre Arts contains artifacts dating back centuries, and its exhibitions sometimes revel in that broad historical panorama. But The Great Stage of Texas, running through July 24 at San Antonio’s McNay Art Museum—the collection’s home—could hardly be more contemporary.
If the 2021-2022 theater season was about getting back on stage for many Texas performing arts companies, Theatre Under The Star’s 2022-2023 season might be best described as a season ready to take that big breath, then sing, dance and celebrate life renewed.
Society for the Performing Arts is now Performing Arts Houston, but Meg Booth, chief executive officer, makes it clear that their mission to bring the world of music, dance, theater as well as cultural speakers to the city is still fundamental to who they are after 50 years.
ROCO is everywhere. In its 18th season, this industry-changing chamber orchestra from Houston has reached well beyond the walls of the traditional concert space, laying down a vibrant and diverse soundtrack for an entire city.
Describing herself as “relentlessly optimistic,” Khori Dastoor officially took over the reins as Houston Grand Opera (HGO)’s General Director and CEO in January 2022, becoming the first woman to lead the prestigious company in its 67-year history.
The Dallas Symphony Orchestra has been fortunate. Except for recasting a few concert programs in January after a few cases of omicron cropped up among its musicians—who recovered—it has been able to operate “full go-ahead” this season as planned, executive director Kim Noltemy says.