Fun is a quality sadly lacking in much contemporary art, but Brazilian artist Rivane Neuenschwander showers viewers with giant colored discs of confetti at the Linda Pace Foundation’s SPACE.
In the spring of 1921, the recently established Dallas chapter of the Ku Klux Klan kidnapped Alex Johnson, a black Adolphus Hotel elevator operator. He was driven to an isolated location, whipped, had the initials KKK burned into his forehead with acid, and then forced to walk naked and bleeding into the Adolphus lobby.
Barry Whistler Gallery was a fixture in Deep Ellum for nearly 30 years so it may have come as a surprise when Whistler decided to move his gallery to the Design District during the first week of May.
A subtle grief—and equal joy—lives in the heart of writing by Texas authors. Texans are known for our pride, but the reality is the term “Texan” carries hidden baggage.
When Kelli Estes planned her first season for Houston’s Lone Star Lyric Theater, the company she founded back in 2006, she was actually in living New York City and not Houston.
In celebration of the American sculptor Joel Shapiro, the Nasher Sculpture Center, which holds six examples of his work in their permanent collection, has unveiled a new piece specifically designed for the central gallery on the ground floor.
The River Oaks Chamber Orchestra isn’t planning a Fourth of July concert, but maybe it should. The tradition-busting group has declared its independence -- from the classical hit parade. Scan the group’s programs for 2016-17, and you’ll see nothing that rank-and-file concertgoers would find familiar.
The blocks between 900 and 1100 Main Street are traveled by many Houstonians on their daily commute, but they constitute an inconspicuous corner of Houston.
On the heels of Houston’s lauded FotoFest, another photography showcase is gaining momentum in the Southwest and beyond. Beginning this month and continuing through September, PhotoSummer, organized by core partners University of New Mexico Art Museum and 516 ARTS in Albuquerque, along with CENTER in Santa Fe, heads into its second year of exhibitions and public programs.
Jonah Bokaer folded space in two in one sweeping motion. OK, so maybe he used a super long piece of paper to do that. Not everything that moves in a Bokaer concert is human.