Even once the show goes on, the director’s work is still not done. This has become especially true for the Tony winning director of Hadestown, Rachel Chavkin.
Frances Stark hasn’t been this angry and disillusioned with the state of the world in a while—if ever. That’s evident in FOCUS: Frances Stark of the artist’s paintings on display at the Modern Art Museum of Fort Worth through January 9.
First opened at the Virginia Museum of Fine Arts and on view at the Contemporary Art Museum Houston (CAMH) through Feb. 6, 2022, The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse is a survey of Southern art that shies away from nothing.
there was some speculation as to the potential impact of the Blanton exhibit Pop Crítico/Political Pop: Expressive Figuration in the Americas, 1960s-1980s (through Jan. 16), as well as a certain wariness when it comes to trying to parallel contemporary problems with art from the past.
Now the world will also view O’Keeffe in a different light and see a trove of her recently discovered photographic art in the MFAH exhibition Georgia O’Keeffe, Photographer, running through Jan. 22.
“There are many Black people who feel like art is not their space…it’s been really great to have shows where people come who might not typically engage with the art. Where they can be seen in a special way.”
San Antonio-based artist Jennifer Ling Datchuk reminded me of Brecht’s riddle-like assurance while discussing her current exhibition Later, Longer, Fewer: The Work of Jennifer Ling Datchuk, on view at the Houston Center for Contemporary Craft until Jan. 8, 2022.