From a self-portrait worth $55 million to hand-painted shoes on Etsy, from egg cups to a biographical ballet and lookalike festivals across the globe, very few artists have ever inspired and driven the world’s imagination like Frida Kahlo.
It should surprise no one that in Houston, the fourth largest city in the country, the art of opera is thriving on the Wortham Theater Center stage downtown as well as in urban breweries and suburban performing arts spaces.
The Fort Worth Symphony Orchestra still has its eye on Beethoven, Brahms, Debussy and their ilk. But it will peek beyond its artistic home turf next season, when it will share Bass Performance Hall with actors, dancers and even masterpieces of Spanish painting.
At a time when many institutions are pulling away from telling diverse stories, Houston is proudly showing its support for the Black artistic community with the Fade To Black Festival.
C.C. Conner helped transform Houston Ballet, serving as its managing director as the company boosted its financial endowment and built its downtown home. Karen Stokes led the University of Houston’s dance program for more than 20 years
“Zero constraints” that’s how Performing Arts Houston executive director Meg Booth describes the programming possibilities when the organization puts together a season lineup like the recently announced 2024-2025 season.
The Houston Chamber Choir’s annual showcase of high school choirs was mere days away, and artistic director Robert Simpson was making the rounds of the featured schools to touch base.