That's the muddled message coming out of Randy Tibbits's complaint about what he sees as a too-low presence of Houston (or, depending on which paragraphs you're...
IMAGE: From left: Maurizio Cattelan, Untitled, 2009; and Nobuo Sekine, Phase of Nothingness — Cloth and Stone, 1970/1994. On view through July 20 in Never E...
IMAGE: Dario Robleto, At War With the Entropy of Nature / Ghosts Don't Always Want to Come Back (detail), 2002. Cassette: carved bone and bone dust from eve...
IMAGE: René Magritte, La condition humaine (The Human Condition) (detail), 1933. Oil on canvas 100 x 81 x 1.6 cm (39 3/8 x 31 7/8 x 5/8 in.) National Galler...
IMAGE: John Singer Sargent, Simplon Pass: Reading (detail), c. 1911, opaque and translucent watercolor and wax resist with graphite underdrawing, Museum of ...
IMAGE: A view of James Turrell's Twilight Epiphany (2012) on the Rice University campus. Photo by Ned Dodington for A+C
So here's what I don't get: I...
Tyler Green has a long, thoughtful Modern Art Notes entry on what the National Gallery of Art might look like and do once it's swallowed the Corcoran Gallery of...
One of the Dallas Museum of Art’s strongest collecting areas is art made after World War II, but because the DMA lacks permanent gallery space for those holdings, shows like Never Enough: Recent Acquisitions of Contemporary Art represent a relatively rare chance to dive into them....
