here's something about do-ablity that is making me a more eager watcher these days. Perhaps I suffer from a mild case of sustainability syndrome. Maybe it's my Buffalo upbringing or being raised by depression era parents that puts me in the “doing more with less” mood.
Statements: African American Art from the Museum’s Collection is the overly general and therefore utterly uninformative title of an excellent exhibition now ongoing at the MFAH through April 24, 2016.
Joel Ferrell, Associate Artistic Director at Dallas Theater Center, is at the helm of a new, modernized production of the ultimate classic love story, William Shakespeare’s Romeo and Juliet. The show runs Feb. 5-28 at the Kalita Humphreys Theater.
Houston's Classical Theatre Company returns to Ibsen this winter with their production of A Doll's House, directed by Classical Theatre's artistic director John Johnson, through Feb. 21 at Chelsea Market location.
And while the New York production may have been a stroll down memory lane, the current regional premier of Clever Little Lies at Circle Theatre in Fort Worth (through Mar. 5), must stand on its own merits with an all-local cast. Happily, it’s no lie to say the locals carry no shame.
Caitlin McCollom is a visual artist currently based in Austin, TX. Her most recent body of work, The Cloud of Unknowing will be on view at San Antonio’s Southwest School of Art Feb. 11 - Apr. 24.
If/Then is a new touring musical aptly titled for it has two dueling personalities. It can be clever/confusing, bright/dark, fun/maudlin, sincere/fake.
On any given weekend in Dallas, there are a slew of art openings. But curator and mother Danielle Avram has to make time to roll on the floor with her three-year-old daughter, give her a bath, and tuck her in before even thinking about a babysitter.