When should we fight the good fight? When do we surrender to survive another day, and when should we give up and put on the comfortable armor of cynicism?
In her solo exhibition Berm, on view at DiverseWorks through Nov. 3, Richmond-based sculptor Lily Cox-Richard thinks about infrastructure and public space, from the ground up.
In 2014, internationally renowned playwright Suzan-Lori Parks began her much-discussed “Watch Me Work,” an occasional performance on Monday evenings in which audiences can quite literally watch Parks working on her newest writing projects on the mezzanine of the Public Theater in New York.
If you check out what Austin’s Long Center has in store for its 10th anniversary season, you’ll find theater, dance, music of many genres, and more. But the bill of fare leaves out a staple of performing arts centers nationwide: Broadway shows.
“I’m trying to tell my own truth,” says Laurie Simmons. When we speak on the phone, she is in the midst of preparing for Big Camera/Little Camera, a major survey of her work at The Modern Museum of Fort Worth on view Oct. 14 through Jan. 27, 2019.