Annette Lawrence reads me something she’s written about her work: “I’m tuned in to things that go unannounced and remain steady, continuous, and unremarkable on the surface, but hold magic over time.”

“There are associations that come with the use of a sarape, especially now with recent political and economic border issues,” says Adrian Esparza, referring to the brightly colored, blanket-like shawls from Latin America that inform and compose much of his work as well as the constant issue of the Mexican-American border, in which Texas is often found at the center.