it wasn’t until the cold night air hit me as I left the theater that I realized director Jason Nodler had just given me the theatrical equivalent of a flu shot.
Wendy Perron has led a distinguished life as a writer, editor, choreographer and dancer, which included dancing with the seminal post-modern choreographer Trisha Brown.
David Mamet writes great debates. His characters navigate the twists and turns of a well-formed argument, deflating weaker points, inflating new ideas, poking holes in meaning, until finally the play ends, at which point the audience is left defeated.
This year, the Houston Cinema Arts Festival (HCAF) added two extra days to their festival called “Spotlight on Houston”, which highlighted local filmmakers.
The holidays are no excuse to slow down your art-going, especially since this season seems to have a bounty of new productions, along with the old standards.
The Harry Ransom Center at the University of Texas at Austin has announced a major coup: It’s acquired the archive of renowned artist Edward Ruscha ...
Before they head to Lincoln Center in New York in January, the Rude Mechs delivered the drunken punch to the face that is Fixing King John, at the Off Center.
Sometimes when a piece of theater challenges me, I look for answers in the play’s title. So soon after seeing the Mildred’s Umbrella regional premiere of Carnival Round the Central Figure, I sought meaning from carnivals.