Greg Cote lived on all three US coasts before he reached the sixth grade. When his Dad retired from the Navy in 2000 the family found themselves in Lake Jackson, Texas trying to decide where to go next.
In Dark Circles Contemporary Dance Artistic Director Joshua L. Peugh’s newest work, Pete: A Dance Musical a playground becomes Neverland and a favorite childhood fairy tale extends beyond a youthful adventure and incorproates commentary on life’s inherent contradictions and the queer, minority experience.
Whether it’s creating a faux art fair or turning a giant swimming pool on its Vincent-Van-Gogh’s-ear, two international artists are bringing their conceptual sculptural sensibilities to Dallas.
A 50th anniversary deserves a celebration. But what kind? Houston Ballet’s leaders looked back across the company’s history, starting before the 1969 debut of the company as we know it today.
Full of color, depth, and texture, the work of Olaniyi Rasheed Akindiya — brush name Akirash — seeks to dance, pull viewers in, and let them connect with the work and the world around it.
Since its founding in 1998, the National New Play Network has produced 85 rolling world premieres. Dallas’s Kitchen Dog Theater, formed in 1990, is one of NNPN’s founding core theaters, and hosts the longest-running new play festival in Texas.
When Blake Hackler handed over his newest play, What We Were, to Second Thought Theatre artistic director Alex Organ, he wasn’t expecting an offer to produce it.
Texas is home to a growing cohort of Latinx playwrights working in all parts of the state who have chosen to remain here despite the unique challenges that they face as artists of color in the Lone Star State.