Texas is alive with the sound of Broadway musicals headed our way. And as the 2026-2027 theater season grows nearer, it’s again time for this Arts and Culture resident theater cartographer to get out her stage sextant and navigate us through the sea of big touring shows presented by Broadway Austin, Dallas, and San Antonio, Broadway at the Hobby Center in Houston and Broadway at the Bass in Fort Worth, as well as Broadway at the Center in Dallas and Houston’s Theatre Under The Stars. I’ll look for genre waves, thematic undercurrents, and those rare sightings that maybe worth heading out (of town) to see.
Another musical about making music, and this one with a semi-autobiographical plot, comes from pop and hip-hop star Alicia Keys. Hell’s Kitchen uses Keys’s music to tell her story of growing up in New York in the 90s, but it also explores the Hell’s Kitchen community that nurtured her songwriting. It earns a Big Four title, spending most of February 2027 in Dallas, San Antonio, Austin, and Houston.
There’s something of a 90s theme this season, continuing with the next Big Four show, which also fits the movie adaptation musical category. Death Becomes Her, the campy satire of two backstabbing rivals who take a magical elixir to stay eternally beautiful is still vamping it up on Broadway, but the tour hits Houston then Austin in April and San Antonio and Dallas in May.
Musical revivals lead the rest of the three-for city stops this year, including a new vision of one of the most beloved classic musicals. The Sound of Music, with new direction from three-time Tony Award winner Jack O’Brien, will follow every highway to get to Houston, Dallas, and Fort Worth. The revival of 80s extravaganza, Phantom of the Opera, brings the chandelier down in Dallas, Austin, and San Antonio from late December 2026 to early January. In 2027, The Who’s Tommy rocks out in Houston, presented by TUTS, and Broadway at the Center in Dallas.
The last of the three-city shows is actually a rarity, a play, which is both a new work but also based on one of the biggest global modern mythologies, Harry Potter. Making stops in Austin, Houston, and Dallas, in late May to June, 2027, Harry Potter and the Cursed Child follows the next generation of teen wizards. Harry’s son, Albus, heads to Hogwarts to find himself sorted as a Slytherin—the horror—and teleports into his own magical adventures.
Since musical biographies and movie adapted musicals are once again the biggest trend, I have to highlight some shows that truly buck those inspiration with very unique origin stories. Betty Boop, the animated flapper character first drawn to life in the early 30s journeys from her black and white world to a vibrant, colorful 21st century New York, in Boop! The Musical. Betty Charlestons into Houston in January 2027 and Fort Worth in May.

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Taurean Everett and Cast in Death Becomes Her. Photo by Matthew Murphy and Evan Zimmerman.

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The company of the North American Tour of Alicia Keys' Hell's Kitchen. Photo by Marc J. Franklin.

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Claire-Marie Hall, Zöe Roberts, David Cumming and Natasha Hodgson in the Broadway Company of Operation Mincemeat. Photo by Julieta Cervantes.

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The Broadway cast of Oh Mary! Photo by Emilio Madrid.

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The Broadway company of Buena Vista Social Club. Photo by Matthew Murphy.
Moving to those rare and new one-city shows, TUTS presents the play that is still breaking Broadway box office records, Oh, Mary! The dark farce follows a few weeks in the life of Mary Todd Lincoln leading up to Abraham Lincoln’s assassination. Some of the biggest stage and screen actors have put on Mary’s petticoats to star in this one. Meanwhile, Broadway at the Bass will be the first in Texas to present one of my favorite musicals in recent years, Operation Mincemeat, the cult hit comedy that depicts one of the most bizarre intelligence operations in World War II. It might be worth an operation road trip.
—TARRA GAINES




