The DMA has been earnest and intentional in its efforts to acquire works by women and people of color over the past seven years and the current exhibition reflects that.
The Houston Chamber Choir’s annual showcase of high school choirs was mere days away, and artistic director Robert Simpson was making the rounds of the featured schools to touch base.
Long-time friends and former dancers for Dark Circles Contemporary Dance Emily Bernet and Taylor Rodman founded Bombshell Dance Project in Dallas in 2016.
Multiplicity: Blackness in Contemporary American Collage, on view Feb. 18 through May 12 at the Museum of Fine Arts, Houston, is the first museum survey of Black collage artists.
Inspired by a gift from her grandson of one painting and four drawings, Janet Sobel’s early but short-lived career is now the subject of a compelling exhibition at the Menil Collection from Feb. 23 through Aug. 11.
Since its founding in 2001, Uptown Players has put a heavy emphasis on relationships—not only with its patrons, the majority of whom identify as LGBTQ+, but also with its performers, musicians, crew, artistic and administrative staff, and playwrights and composers.
Since 1969, Southern Methodist University has been offering performing arts degrees in theater, music, and dance through undergraduate tracks in the Meadows School of the Arts.
Kehinde Wiley and Museum of Fine Arts, Houston Director Gary Tinterow first met in New York when Tinterow, then a curator at the Metropolitan Museum of Art, proposed the acquisition of Wiley’s The Veiled Christ, a large 2008 watercolor.