Just when I thought Houston dance has experiencing a bit of a lull, in walks a gaggle of Search Optimizer workers, Deuce Ticklebeetle, Shelly Kelly, Roxi Wright, Gretchen Charise Kittridge, Gwenevieve Hues, and Alyssa Roberts, to Good Dog Houston to mess with our heads.
On Houston dance stages, this season has been a virtual feast of American dance thanks to Society for the Performing Arts’ focus on great American Dance Companies.
Several Houston dancers appeared in the book Dancers Among Us, including Houston Ballet’s Connor Walsh, Charles Charles-Louis Yoshiyama, Melody Mennite and Noble Motion Dance Company members Jesus Acosta [...]
Time is a precious commodity, and as we move further away from the standstill of the pandemic years, many of us are finding that we have far less than we would like.
We are back for our epic annual public chit chat, a tiny snapshot of the thousand dishy emails that fly across the inter tubes discussing what we just saw, missed, didn’t understand or flat out loved.
Flash forward deep into the pandemic and the height of streaming theater while lying on a couch, I thought a lot about live, in-person stage chemistry.
Group Acorde wants people talking about art—theirs or otherwise. The interdisciplinary, Houston-based quartet—dancers Lindsey McGill and Roberta Paixão Cortes, bassist Thomas Helton and saxophonist Seth Paynter—are in the middle of their fourth season.
Growing up, jhon r. stronks was never in one place for long. Born in Fresno, his childhood was spent globetrotting to accommodate his stepfather’s occupation as an airline pilot.