A New Review of Feminist Art
Black Sheep Feminism at the Dallas Contemporary
A Baroque Zarzuela at Orchestra of New Spain
The hole in the history books made no sense. Spanish music had flourished during the Renaissance, when composers created rich choral music for churches and stately dances for royal courts. But the music world acted as if Spanish composers had practically vanished during the baroque period: Germans, Italians, Frenchmen and Britons got nearly all the attention.
LBJ Takes the Stage: Alley Theatre and Dallas Theater Center Team Up for All the Way
Lyndon Baines Johnson has surely been called almost every name in every book, especially here in his home state of Texas. But “idealist” hasn’t typically been one of them.
Three Premieres & Fresh Energy: Dallas Black Dance Theatre Moves Forward
Though it has been without an official artistic director for several months, Dallas Black Dance Theatre appears to be humming along just fine.
Show Up: Colette Copeland
Colette Copeland's new series of work, Becoming Colette, to be presented at The Reading Room through Feb. 20.
Contingent Beauty
Contemporary Latin American Art at the MFAH
Coming Home: Alex Karigan Farrior
Alex Karigan Farrior joined Dallas's Dark Circles Contemporary Dance in 2014 and has been spinning her own brand of kinetic magic, often alongside Dark Circles artistic director Joshua L. Peugh, ever since.
Cultural Remix: Matthew Craven’s MONUMENTS at David Shelton Gallery
Matthew Craven’s collage/drawings, on view at David Shelton Gallery in Houston through Feb. 6, are about making new contexts for things.
Coming Home: Jennifer Mabus
Dallas native Jennifer Mabus premieres The Art of Losing, a multi-media, sound and dance collaboration with the artist Lynn Lane, on Jan, 22-23, at The Barn as part of NobleMotion’s 2016 Next Step Series. You can also catch her work as part of Open Dance Project's Stories to Tell on Feb. 19-21 at the MATCH.
The Science Under the Art
Using forensic science in combination with art history, the Kimbell Art Museum’s conservationists can see what lies beneath priceless paintings
