In the midst of its fifth season, Dallas' Bruce Wood Dance Project is about to premiere two new works and revive a decade-old piece by its namesake choreographer.
In the September world premiere of O Columbia, the new chamber opera from HGOco, a young Houston girl dreams of being an astronaut journeying to the stars.
Here, YouTube rabbit-holes have become otherworldly and the Internet is the stage where the best magic happens. The exhibition is a sort of “ghost in the machine,” the ectoplasm of conspiracy theories and the spiritualism of singularity.
