A Decade of Dance
With the 2013-14 season, Stanton Welch moves into his 10th year as artistic director of Houston Ballet, one of the leading companies in the nation.
LAYOUT #2
ark Bradford enrolled in California Institute of the Arts in 1991 as an adult student. He was a...
Sydney Skybetter and the Hacker Ethos
Sydney Skybetter is a keynote speaker at the 2013 Houston Arts Partners Conference, on Sept 13-14 at Houston...
Review: The Aliens
In the Horse Head Theatre Company production of The Aliens, two men of wasted talent, who are likely...
MIRÓ QUARTET: A Texas Beethoven Cycle & More
When violinist William Fedkenheuer steps onto the stage this month with his colleagues in the Austin-based Miró Quartet for a series of six concerts at the Butler School of Music at UT-Austin (Sept. 6-8 & 27-29), he will achieve a distinction that few other professionals can claim. He will be one of the few living violinists who have performed all sixteen of Ludwig van Beethoven's string quartets for two violins, viola and cello as both a first and second violinist.
Playing With Words
For lovers of Shakespeare and Molière, Ibsen and Chekhov, Miller and Williams, declaring our time a new Golden Age of the playwright might seem delusional, or at best, a flourish of hyperbole from some theater’s marketing department. But if you ask the artistic directors of some of the most respected ensembles in Texas, they’ll assure you such claims are hardly ridiculous.
The Lone Star State en Pointe
No, ballet wasn’t born in Texas. But, in accord with the proverbial Law of Attraction, it got here as fast as it could.
Since the arrival of a troupe of traveling Russians during a time when even Hollywood movies were still, literally, finding their voice, the art and practice of ballet has been nurtured by Texans, who support not one, but three multi-million-dollar-budget ballet companies, and a host of smaller, but no less notable, organizations.
Undermain at 30
The logo of the Undermain Theatre adorns a sandwich board at the edge of the Deep Ellum neighborhood in Dallas. The lone black and yellow marker beckons curious theatergoers to venture below Main Street for shows they can't see anywhere else.
Undermain Theatre celebrates its 30th year with a lineup of three brand new plays, continuing its lifelong commitment to presenting original plays that challenge audiences. Whether it's an edgy new work by David Rabe or a scintillating production of August Strindberg or Harold Pinter, the consistently high quality of work at the Undermain Theatre is unrivaled in the local scene.
No Limits in the Book of Mormon
A centerpiece of the first act of The Book of Mormon is the song, "Hasa Diga Eebowai." This Ugandan phrase punctuates the show's irreverent version of "Hakuna Matata," in which a tribe sings about AIDS, Africa, and telling God where he can stick his lightning bolts.
Space Painting
Jessica Lang paints movements in broad strokes, making her one of the most visually exciting choreographers in the dance world.
Houston's Society of Performing Arts presents Jessica Lang Dance (JLD) on Sept. 20, following the TITAS presentation in Dallas on Sept. 14.
Energy Dance
Forklift Dance Works founder Allison Orr, formerly fearful of heights, can now climb a power pole. Don't expect her to fix your electricity when it goes out, but she knows way more about energy than your average choreographer.