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  • Visual Art

    Visual Art

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    A Call to the Curious: Liliana Bloch Gallery and the Art We Need to See

    Pop up Power: Showing Adventurous Art in North Texas Is Strictly DIY

    A Layered Intimacy: Rashid Johnson at The Modern

  • Gallery Row

    Gallery Row

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    Gallery Row: A Seasonal Spotlight on Six Texas Galleries

    Gallery Row: A Seasonal Spotlight on Six Texas Galleries

    Gallery Row: A Seasonal Spotlight on Six Texas Galleries

  • Dance

    Dance

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    Your Move, Partner: Bombshell Dance Project whisks audiences to the Wild West and Flower Mound Arts Festival

    A New Flock: Jennifer Mabus Launches Grackle Dance Collective in Dallas

    Creative Collisions: Pegasus Contemporary Ballet Brings Music and Dance in Concert

  • Music

    Music

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    Living in the Sacred Moment: Austin Opera’s 2026-27 season honors heritage, innovation, and empathy

    Performania: A Spotlight on Texas Stages

    Sonic Majesty With a Message: DSO Performs Mahler’s Symphony No. 8

  • Theater

    Theater

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    Performania: A Spotlight on Texas Stages

    A Last Entrance: ‘Leopoldstadt’ at Main Street Theater

    Diaspora Stories: Spring offers a bounty of Latinx Theater Festivals

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Branching Out: Dallas Symphony Orchestra Offers Audiences New Listening Experiences

Steven Brown·March 10, 2022
The Dallas Symphony Orchestra has been fortunate. Except for recasting a few concert programs in January after a few cases of omicron cropped up among its musicians—who recovered—it has been able to operate “full go-ahead” this season as planned, executive director Kim Noltemy says.
Dallas/Ft WorthMusic

Texas Lens: Leading The Crossings in San Antonio

Amber Ortega·March 10, 2022
Damaris Ferrer describes a bridge as a portal and any path or structure that serves as a connector. The Crossings is her global project which uses a massive, red fabric with eight elastic waistbands for eight movers as a catalyst.
DanceSan AntonioTexas LensTheaterVisual Art

Finishing Strong: TITAS/Dance Unbound assembles star-studded lineup for its spring season

Lindsey Wilson·March 10, 2022
During the first part of its 2021-22 season, TITAS/Dance Unbound treated Dallas audiences to U.S. and Texas premieres, reimagined cultural icons, exuberant Latin dance, and even pieces choreographed to the music of R&B legend D’Angelo.
Dallas/Ft WorthDance

Indigenous perspectives: ‘The Language of Beauty in African Art’ at the Kimbell Language of Beauty in African Art

Amy Bishop·March 10, 2022
More than a century ago, the western art world found a new subject of intrigue. As Europeans began heavier colonization of Africa, they began returning home with a variety of exotic art unlike anything the public had seen before.
Dallas/Ft WorthVisual Art

To See and Be Seen: Dawoud Bey at the Museum of Fine Arts, Houston

Nancy Zastudil·March 10, 2022
Bey is one of the most important artists working today, and that isn’t hyperbole. Dawoud Bey: An American Project, co-organized by the San Francisco Museum of Modern Art and the Whitney Museum of American Art, is on view at the Museum of Fine Arts, Houston, through May 30.
HoustonVisual Art

Meaning in the Making: Kinji Akagawa at the Amon Carter Museum of Art

Nancy Zastudil·March 10, 2022
Art Making as Life Making: Kinji Akagawa at Tamarind, on view April 23 through Oct. 30 at the Amon Carter Museum of American Art, showcases the meaning and impact of collaboration in this renowned artist’s life.
Dallas/Ft WorthVisual Art

The Third Time’s the Charm: Dance Salad Determined to Celebrate its 25th Year in Houston

Nichelle Suzanne·March 10, 2022
“This is our third year trying to do our 25th year,” says Houston’s unofficial dance ambassador Nancy Henderek, whose annual springtime Dance Salad Festival (for reasons you can probably guess) took an unexpected hiatus in 2020 and again in 2021.
DanceHoustonMusic

Ancient Wisdom: Spirit Lodge at Dallas Museum of Art

Amy Bishop·March 4, 2022
It’s no exaggeration to say that Spirit Lodge: Mississippian Art from Spiro, on view at the DMA March 13-Aug. 7, could be the last time a show of this magnitude comes around, at least in our lifetime.
Dallas/Ft WorthVisual Art

Building on Partnerships: Fusebox Festival Returns to Austin

Tarra Gaines·March 4, 2022
“Sonic partnerships.” If we had to describe the return of Austin’s Fusebox Festival in 2022 after its pandemic interruption, a plethora of sound performances and projects emerging from very unique partnerships leads to such a description.
AustinDanceMusicTheaterVisual Art

Mapping Grief: Bruce Wood Dance Premieres New Work by Stephanie Martinez

Lindsay Alissa King·March 4, 2022
Despite the ongoing pandemic-related complications, Dallas-based company Bruce Wood Dance has continued to commission and premiere new works over the past months.
Dallas/Ft WorthDance

Hovering Words: Ignasi Aballí at the Meadows

casey gregory·March 4, 2022
Palabras Vacias, which means “Empty Words'', is on view at SMU’s Meadows Museum through June 26, a minimal contemporary installation in an institution more often associated with the gilded frame than the white cube.
Dallas/Ft WorthVisual Art

Collage Artist: Annie Arnoult’s Immersive World at Open Dance Project

Tarra Gaines·March 2, 2022
During an immersive dance production the line between audience and dancer can blur, but in an Annie Arnoult Open Dance Project performance that blurring expands from the space between dancer and audience to the line between theater and dance, history and story, viewing and autonomous experiencing.
DanceHoustonTheater
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