“I think I have a relationship with a vanity that’s similar to what everyone has,” Chris Schanck admits, referring to his project Curbed Vanity: A Contemporary Foil, which is currently being exhibited at the Dallas Museum of Art.
Thick black smoke clouds engulf the large canvas mural that dominates the entrance of artist Anna Mayer’s solo exhibition, Forms of Inheritance, on view through May 8 at the Houston Center for Contemporary Craft (HCCC).
Ask any leader of an arts organization what life has been like during the past year, and most will probably swear it has been one of the most demanding times of their lives.
Of all the best-laid plans of mice and women that went awry in 2020, one I regret missing was a conversation with Stages artistic director Kenn McLaughlin.
“Migration is beautiful.” These are the words the viewer reads upon entering the San Antonio Museum of Art’s newest exhibition, No Ocean Between Us, on view at the San Antonio Museum of Art Feb. 12-May 9, 2021.
The Fort Worth Symphony will spotlight Antonín Dvořák’s melodious but unfamiliar Serenade in E major on Jan. 8-10. The same weekend, Dallas Symphony performances of Dmitri Shostakovich’s Chamber Symphony in A-flat--a supersized version of the composer’s Quartet No. 10--will show how intense a string ensemble can be. The Houston Symphony will partner with onetime prodigy, now mature artist Midori in Beethoven’s Violin Concerto on Jan. 15-17.