Texans love Impressionism in all its nationalities and schools, and Texas museums love bringing us Impressionist exhibitions in a myriad of flavors and themes.
“There’s a powerful thing with nostalgia and remembrance,” TUTS executive director Dan Knechtges says. “There’s great comfort in it after we’ve been through this plague—this pandemic.”
It will come as no surprise to anyone who knows her that Danielle Georgiou—who is perhaps the most eclectic choreographer in the DFW dance space—is already ramping up for a packed summer and fall season.
DACAMERA will launch its season Aug. 20-22 with SUMMERJAZZ, a one-weekend festival at the Wortham Theater Center. Long focused mainly on individual concert programs scattered throughout the season, the group is taking its first stab at filling a weekend with music.
Anna Elise Johnson’s Earthworks: West Texas, now on view at Cris Worley Fine Arts in Dallas through August 14, draws heavily from the mythology of the west, especially its deserts.
The story of abstraction can’t be fully told without Sean Scully, according to the Irish-American painter who also sees himself as a renegade in the abstract movement.
Brett Ishida, a California transplant to Austin, is bringing her new Austin-based contemporary dance company ISHIDA to the stage for the company’s first evening-length production since the pandemic began.
A historic ice storm. The four seasons. Industrial sites colliding with the natural world. A farmer’s life and its links to the land. A glacier that melted away.
Leos Ensemble Theatre decided to change that. The Dallas-based company, which was founded in 2019 by dancer and performer Nick Leos, is becoming the first theater group in the U.S. (and perhaps even the world) to create a piece expressly for TikTok.