Coming of Broadway age in the shadow of the Hamilton juggernaut, Dear Evan Hansen, the seemingly unassuming musical about an unpopular high school kid with social anxiety, managed to turn its misfit story into a multiple Tony® Award winner.
When New York native Jessica Green took the position of artistic director of Houston Cinema Arts Festival this year, she decided the best way to program the sprawling arts-based film festival for Houston was to let this enigma of a city become her muse.
Boone, gearing up for his solo exhibition at Contemporary Arts Museum Houston, The Highway Hex (Nov. 9-Feb. 17), has concocted a body of work inspired in its way by both Leatherface and Stanley Kubrick.
Aperio opened its 2019-2020 season in September riding the Onda Nueva (New Wave), relishing the characteristic blurring of boundaries that makes music from Latin America so rich and vital.
Even in a canon filled with political advising witches, fairy marriage wars and revenge seeking ghosts, Shakespeare’s The Winter’s Tale still stands–statuesque–as an odd chimera of a play.
In one of his most recent works, The Hard Problem, getting its regional premiere at Main Street Theater (through Oct. 6), Stoppard goes in heavy on the head, rather literally as the play follows scientists looking into questions of how the brain creates the mind, how we are conscious of our own consciousness.
Anthony Brandt urges his composition students at Rice University to keep an open mind about the musical styles that influence them. “I often say, ‘Don’t put a fence around yourself. Feel the joy of having an open field around you, and discover what you might love that you didn’t know you would,’” he explains.
The problem with bringing a groundbreaking work of art into the world is that sometimes it alters the landscape so much that when we revisit it we might forget that such a wonder didn’t always exist.
Meg Booth worked with organizations like North Carolina Dance Theatre, White Oak Dance Project, Twyla Tharp Dance and Dance/USA before spending 11 years directing dance programming at the John F. Kennedy Center for the Performing Arts in Washington, D.C.