Derek Charles Livingston took his place as Stages artistic director a little over a year ago, but he lost little time immersing himself in Houston life and its theater community.
The clues lay in the lineup. Sitting down for a talk with Rich Levy and Krupa Parikh, executive and deputy directors of Inprint, about their 2025-2026 Margarett Root Brown Reading Series
Everybody appreciates a little recognition from their peers, right? It came to the Apollo Chamber Players from Chamber Music America, which promotes their field nationwide.
A city floats a mile above the earth. Transparent modules glint with water vapor, neon pulses like a heartbeat, and the promise of a different kind of life hums in the air. This is The Hydrospatial City, the centerpiece of Gyula Kosice: Intergalactic, on view Oct. 26-Jan. 25, 2026 at the Museum of Fine Arts Houston.
There is a certain charge that comes when artists insist that the stuff of daily life, its toys, its rituals, its messes, belongs on the same stage as monuments and masterpieces.
“We can’t build sets in here. We have to build a real thing,” says Azizi of what he approximates is a 20 feet by 70 feet space, with half of that reserved for the audience.
After 50 years in business, Betty Moody continues to run her gallery with passion and enthusiasm. She is celebrating this landmark occasion with two shows featuring gallery artists: Part I runs from Sept. 13 to Oct. 25, and Part II from Nov. 8 to Dec. 20.
A conversation with Mario Aschauer, Founder and Artistic Director of Harmonia Stellarum Houston (HSH), often involves plunging down rabbit holes and winding through meandering paths before the subject emerges with newfound depth and clarity.