In 2013, at the Dallas Museum of Art, Leigh Arnold curated Robert Smithson in Texas, a first of its kind look at the famous land artist’s finished and unfinished works in the state.
When Seth Knopp plans out the Soundings new-music series for Dallas’ Nasher Sculpture Center, he likes to leave audiences free to spot resonances and parallels among each season’s concerts.
Whether it’s creating a faux art fair or turning a giant swimming pool on its Vincent-Van-Gogh’s-ear, two international artists are bringing their conceptual sculptural sensibilities to Dallas.
At Dallas’s Nasher Sculpture Center through Jan. 6, The Nature of Arp considers Jean (Hans) Arp’s diverse production through his processes, linking them to the processes of the natural world.
Glasgow-based artist and filmmaker Luke Fowler aims to convey information through atmospheric means, layering affect and meaning in a highly evocative manner.
Extraordinary examples of handmade stone tools, some of the first aesthetically-conceived objects known to humankind, will be included in the exhibition First Sculpture: Handaxe to Figure Stone which opens Jan. 27 at the Nasher Sculpture Center.
Tea Ceremony is the newest body of work by the American artist Tom Sachs, who has brought his artist’s sensibility to bear on the traditional Japanese ritual, which he sees as a cultural phenomenon.
For the first time at Dallas’ iconic Nasher Sculpture Center, curators have allowed for a physical alteration of the building: removing two rows of the site-specific oculi in the ceiling of the Renzo Piano structure.
Richard Serra’s work in print-making may be unknown to the casual art-goer, the artist’s name associated instead with his massive, imposing sculptural work in steel.