When Seth Knopp plans out the Soundings new-music series for Dallas’ Nasher Sculpture Center, he likes to leave audiences free to spot resonances and parallels among each season’s concerts.
Meg Booth worked with organizations like North Carolina Dance Theatre, White Oak Dance Project, Twyla Tharp Dance and Dance/USA before spending 11 years directing dance programming at the John F. Kennedy Center for the Performing Arts in Washington, D.C.
In Dark Circles Contemporary Dance Artistic Director Joshua L. Peugh’s newest work, Pete: A Dance Musical a playground becomes Neverland and a favorite childhood fairy tale extends beyond a youthful adventure and incorproates commentary on life’s inherent contradictions and the queer, minority experience.
Whether it’s creating a faux art fair or turning a giant swimming pool on its Vincent-Van-Gogh’s-ear, two international artists are bringing their conceptual sculptural sensibilities to Dallas.
Full of color, depth, and texture, the work of Olaniyi Rasheed Akindiya — brush name Akirash — seeks to dance, pull viewers in, and let them connect with the work and the world around it.
Before the word “Dior” became synonymous with haute couture, before the House of Dior became the global fashion giant and icon of style, Christian Dior, the pioneering designer, ran art galleries and organized exhibitions that featured artists such as Picasso, Matisse, Alexander Calder, Jean Cocteau, Dalí and Duchamp.