In Heinrich Hoffmann’s 1845 children’s book Struwwelpeter, a little boy is warned by his mother to stop sucking his thumbs, lest they be cut off by a scissor-wielding, red-legged tailor.
Brooklyn-based artist Graham Caldwell’s exhibition Glimpsed Through Liquid, his first at Circuit12 Contemporary in Dallas’ design district, fills the space with serial glass sculptures, spanning nearly two decades.
Dallas dance-lovers are proud that a dance-centric presenter like TITAS Presents exists in their city—and they should be. Executive Director Charles Santos is famous for his eye for up-and-coming troupes, as well as showcasing international groups.
Exploring the aesthetics of self-destruction, Lionel Maunz uses cast iron, concrete, and steel to create dystopian figurative sculptures—surprisingly organic forms that appear distorted by dismemberment and decay.
As a timely acknowledgment of how lively things are in the Dallas art scene, Parisian gallerist Frank Elbaz opened a location in the design district across the street from the sizzling Dallas Contemporary.
It’s the first day of rehearsals for Electra (April 4-May 2), and Dallas Theater Center artistic director Kevin Moriarty is having trouble trading in Shakespeare for Sophocles.
Chris Byrne and his co-founder, John Sughrue didn’t expect the Dallas Art Fair to grow like it has when they began the annual event nine years ago with 35 participants.
Six months after Agustín Arteaga joined the Dallas Museum of Art as its new director, visitors to the DMA will benefit from one of his last initiatives at his previous post running the Museo Nacional de Arte in Mexico City.
What is theater that doesn’t reflect contemporary realities? What kind of life can theatrical storytelling have if it doesn’t exist within the world it’s born into?