Amoako Boafo: Soul of Black Folks was first exhibited at San Francisco’s moAD and has now traveled to the Contemporary Art Museum Houston, on view May 27 through Oct. 2.
During the height of the streamed performing arts portion of the pandemic, I thought a lot about the difference between being a viewer and an audience member.
On view at The Modern Art Museum of Fort Worth May 15 through September 25 is Women Painting Women, a thematic exhibition of forty-six women artists who choose women as subject matter in their works.
Nastassja Swift’s primary mode of artmaking in recent years has been needle felting—a form of textile production that renders wool into saturated, light-absorbing forms. Her dolls, figures, and tapestries of tiny faces are equal parts comforting and unsettling.
recently-unveiled Nancy and Rich Kinder Building at the Museum of Fine Arts, Houston, and a way of contemplating the Kinder’s impact on the landscape of the museum campus, the city of Houston and even the international art world.
Sometimes LOVE is all-consuming. Nowadays, Robert Indiana’s iconic LOVE artworks—with their clunky capital L and tilted O stacked over the V and E—are everywhere.
Nancy Wozny: Pack a lunch, Lady T, we have a year and a decade to discuss. Let’s not be so top ten-ish, but think categorically. I always find what we are still talking about is the most revealing.
With ten sold-out shows in a span of two and a half years, including the Stephen Friedman Gallery in London and Vielmetter Los Angeles, Deborah Roberts is experiencing a deluge of success.