Girls, and boys, may just want to have fun on New Years Eve, but for many people the celebratory countdown to some second when the Earth has managed another full orbit around the Sun without getting struck by an asteroid makes for a pretty crappy holiday.
“This is the future of art, where would you see something like this in Houston? Someone needs to write about this,” said Abby Koenig, looking straight at me, after a stunning and mesmerizing performance of Engelbert Humperdinck's 1893 opera Hansel and Gretel, presented by Rec Room Arts at the Rec Room.
Last April, as the evening weekend revelries began at Fusebox, Austin’s annual cross-disciplinary arts festival, performer Joseph Keckler took the stage at Al Volta’s Midnight Bar.
As a critic, I try to stay open to every theatrical form, genre and story to lay aside my personal preferences and tastes so that they don’t prejudice my views of any specific play and production.
As a curmudgeonly connoisseur of holiday performing arts, I’m always on the lookout for the innovative, quirky or simply new shows to devour like Christmas candy each most-wonderful-time-of-the-year
From Oct. 29-Nov. 19, 2017, San Antonio’s Nicolás Valdez will travel to California to be in residence at the Los Angeles Theatre Center where his show, Conjunto Blues, will play in repertory alongside 12 other productions as part of the Encuentro de las Américas International Theatre Festival.