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Dallas Theater Center
Dallas Opera’s Season of Celebration
The Dallas Opera commemorates a handful of anniversaries next season, and the most notable involves one of your not-so-catchy numbers.
Dallas Symphony’s Soluna Festival Thinks Big
Why does the Dallas Symphony mount its annual Soluna music-and-arts festival? Not because it wants to escape the proverbial same old thing. For an orchestra, “the ‘same old’ is fantastic,” president Kim Noltemy says. With Soluna, the group is thinking bigger.
Dream with Them: The Sin Fronteras Festival Brings Theater for Young Audiences to Austin
What power do young people have to transform the very fabric of our nation? How can theater do this type of social justice work?
Catching up with North Texas Theater: A Conversation with Lindsey Wilson
Lindsey Wilson is hands down one of the most prolific theater writers in Texas.
Communication, context, and consent: Why more Texas theaters are hiring intimacy directors
As more instances of sexual harassment and abuse of power are being uncovered, especially in the theatrical community, more companies are realizing they need an important addition to their creative team: an intimacy director.
Double ‘Dutchman’ opens HGO and Dallas Opera Seasons
He’s the ultimate outsider. Cursed by Satan, the protagonist of Richard Wagner’s The Flying Dutchman must sail the world’s seas for all eternity.
Choral Music for Modern Audiences: Verdigris Offers a New Perspective in Dallas
It’s likely that no one in the seats of the UT Arlington Planetarium had ever been to a choral concert like this one.
Dallas Onstage: Bishop Arts Theatre Center Strives to Remain a Neighborhood Resource
In May 2018, Teresa Coleman Walsh published an essay on HowlRound, the popular online platform for theater makers sponsored by Emerson College, titled “The Ugly Truth about Arts Institutions Led by Women of Color.”
Funny stuff: Dallas’ first nonprofit comedy theater proves laughter is the best medicine
In a newly rehabbed, 75-seat black box theater, tucked behind Peticolas Brewing Company in the Dallas Design District, two men are pretending to tour a home.
From Stage to Screen: One of Dallas’ most original plays is becoming a homegrown movie.
Ruben Carrazana has never made a movie before. Yet when he takes the stage at the Texas Theater one hot night in early May, it’s to introduce the first 37 minutes of his film Stacy Has a Thing For Black Guys.
The Great Playwright Swap: Dallas’s Kitchen Dog Theater Helps Pilot Groundbreaking National Experiment
For the past 20 years, the National New Play Network has connected nonprofit theaters across the U.S. through the cultural importance of new plays and living playwrights.