Is it strange for an opera company to stage Fiddler on the Roof? Showcasing the Broadway landmark makes total sense to Annie Burridge, Austin Opera’s CEO.
Everybody appreciates a little recognition from their peers, right? It came to the Apollo Chamber Players from Chamber Music America, which promotes their field nationwide.
This fall, Dallas once again becomes a crossroads of Latinx voices as Cara Mía Theatre launches its 2025–26 season with the sixth-annual Latinidades Festival & Symposium.
If you’ve ever wanted to watch molten glass stretch and curl into a goblet while an opera aria drifts through the autumn air, Fort Worth has just the weekend for you.
The Fort Worth Symphony Orchestra still has its eye on Beethoven, Brahms, Debussy and their ilk. But it will peek beyond its artistic home turf next season, when it will share Bass Performance Hall with actors, dancers and even masterpieces of Spanish painting.
The three witches in Shakespeare’s Macbeth, nursing their cauldron of toil and trouble, rank among the most chilling characters ever set loose onstage. Imagine what might happen if they found an apprentice to carry on their dark arts.
A conversation with Mario Aschauer, Founder and Artistic Director of Harmonia Stellarum Houston (HSH), often involves plunging down rabbit holes and winding through meandering paths before the subject emerges with newfound depth and clarity.