Unmapping Houston
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Unmapping Houston

Artists navigate the city’s geography You hear people say Houston is a hard city to…

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Pump Up the Volume
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Pump Up the Volume

The Quiet Genius of Harvey Bott and the DoV “All ‘straight’ lines bend through space,”…

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Review:  Adam McEwen
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Review: Adam McEwen

One of the most intriguing things about the Goss-Michael Foundation — and there are many…

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Review:  Roberta Harris
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Review: Roberta Harris

Eighteen new paintings by Houston artist Roberta Harris find inspiration in geometric forms in her…

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Review:  Dream Continuum
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Review: Dream Continuum

There’s a new gallery on Dragon Street in the Design District with a hip twist.…

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Review:  Nick Barbee
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Review: Nick Barbee

Nick Barbee’s show at Plush Gallery, Proclamation, questions how things stand. His work, mainly minimal…

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Review:  Moreshin Allahyari
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Review: Moreshin Allahyari

One of the mantras of contemporary art is that it’s defined by context. If you…

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Sense of Place: Barbel Helmert
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Sense of Place: Barbel Helmert

Few artists seem as comfortable working in different mediums as Alpine, Texas-based Barbel Helmert. Born…

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Pop-Up Art Party Aims to Please
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Pop-Up Art Party Aims to Please

Bringing a revolutionary cultural concept to Fort Worth, purchase local artist Marshall Harris unveils the…

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Worth the Trip
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Worth the Trip

The Santa Fe International New Media Festival New Mexico is known for artists and scientists,…

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A Family Affair
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A Family Affair

The Stafford family has always shared an interest in art. Whether it was family vacation…

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Pop-Up Style: Life and Times in Oak Cliff
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Pop-Up Style: Life and Times in Oak Cliff

There’s a quiet pop-up revolution happening in Oak Cliff — it’s a revolution that is…

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How I Learned to Stop Worrying and Love the Art World
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How I Learned to Stop Worrying and Love the Art World

Dr. Michael Corris Last year, Creative Time, a respected New York City based non-profit arts…

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The Modernist Musketeers
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The Modernist Musketeers

Events in real time are fluid, dynamic, and spontaneous. Some philosophers call this quality “lived,”…

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Review:  John Webb “Pile”
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Review: John Webb “Pile”

John Webb: “Pile” Sculpture Peel Gallery March 2–April 30, 2012 www.peelgallery.org Tendrils, tentacles and vesicles…

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Review:  Priya Kambli “Color Falls Down”
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Review: Priya Kambli “Color Falls Down”

Priya Kambli’s “Color Falls Down” is one of three new exhibitions to open at the…

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Review:  Amy Blakemore “New Pictures”
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Review: Amy Blakemore “New Pictures”

Looking at a distant hillside, we see the colors of the landscape fade to the…

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Review:  Glassell School of Art
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Review: Glassell School of Art

At first glance, the Glassell School of Art’s “2012 Core Exhibition” seems disjointed and aimless,…

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Review:  FotoFest 2012 Biennial
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Review: FotoFest 2012 Biennial

There was a chasm, according to the curatorial statement, a trench clawed into the cultural…

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Cultural Warrior:  Matthew Lennon
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Cultural Warrior: Matthew Lennon

HAA’s Director of Civic Art & Design With Ai Weiwei’s “Circle of Animals/Zodiac Heads” guarding…

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Park Place Projects: The Art of Russ Pitman Park
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Park Place Projects: The Art of Russ Pitman Park

“I’m interested in politics, the idea of connecting to the earth — as in artist…

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All Is Fair In Art?
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All Is Fair In Art?

The Dallas Art Fair (DAF) makes two unspoken promises that, prima facie, seem at odds…

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Drawing with Gravity: Richard Serra at The Menil
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Drawing with Gravity: Richard Serra at The Menil

Over 35 years and 1000 square feet of black pigment fill the contemporary galleries of…

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Look Here: Liliana Porter’s Situational Portraits
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Look Here: Liliana Porter’s Situational Portraits

Liliana Porter is a gatekeeper of emo­tional capacity, whose artwork is heav­ily informed by the…

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Review:  Acoustic Shadows
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Review: Acoustic Shadows

Acoustic Shadows Dallas Museum of Art November 2011–October 2012 From time to time a work…

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Review:  Gerardo R
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Review: Gerardo R

Gerardo R: Un Día a La Vez Start Gallery Dallas March 3–April 15, 2012 Terrible…

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Painting as Painting
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Painting as Painting

Dallas painter and post-medium practitioner Ludwig Schwarz loves a good glitch every now and then.…

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Review:  The Age of Impressionism
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Review: The Age of Impressionism

The Age of Impressionism: Great French Paintings from the Clark Kimbell Art Museum, Fort Worth…

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Review:  “Word Spirit”
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Review: “Word Spirit”

“Word Spirit” Crow Museum of Asian Art, Dallas February 25–May 5, 2012 There may be…

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Review:  Michael O’Keefe “Continuum”
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Review: Michael O’Keefe “Continuum”

Michael O’Keefe: Continuum Valley House Gallery and Sculpture Garden, Dallas February 25–March 31, 2012 Figurative…

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Review:  Joseph Glasco
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Review: Joseph Glasco

Joseph Glasco: Paintings from the Estate Talley Dunn Gallery, seek Dallas March 2–April 14, 2012…

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ARTifacts:  April 2012
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ARTifacts: April 2012

Maxwell L. Anderson, the new director of the Dallas Museum of Art, has appointed Robert…

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Those Were the Days
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Those Were the Days

Few moments in American cultural history are as readily recognized as the “roaring” twenties —…

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Artfully Stated
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Artfully Stated

William Powhida is a visual artist and former art critic who continues to blaze the way forward with…

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Review:  Elliott Hundley
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Review: Elliott Hundley

Elliott Hundley Nasher Sculpture Center, Dallas January 28–April 22, 2012   While ancient Greek texts…

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Review:  “Border”
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Review: “Border”

“Border” Photos Do Not Bend Gallery, vcialis 40mg Dallas February 18–May 5, viagra order 2012…

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The Pop World of Ruben Nieto
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The Pop World of Ruben Nieto

Ruben Nieto, UT Dallas doctoral candidate and artist in residence at Centraltrak, has re-imagined his…

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Watercolor Round-Up
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Watercolor Round-Up

Now on exhibit, the Amon Carter Museum of American Art presents more than 100 of…

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French Invade Fort Worth
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French Invade Fort Worth

On March 11, “The Age of Impressionism: Great French Paintings from the Clark” opens at…

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From Russia With Love
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From Russia With Love

Irina Chmyreva and Evgeny Berezner do not rush to answers. After each question, there is…

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