Park Place Projects: The Art of Russ Pitman Park
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Park Place Projects: The Art of Russ Pitman Park

“I’m interested in politics, the idea of connecting to the earth — as in artist…

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All Is Fair In Art?
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All Is Fair In Art?

The Dallas Art Fair (DAF) makes two unspoken promises that, prima facie, seem at odds…

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Drawing with Gravity: Richard Serra at The Menil
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Drawing with Gravity: Richard Serra at The Menil

Over 35 years and 1000 square feet of black pigment fill the contemporary galleries of…

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Look Here: Liliana Porter’s Situational Portraits
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Look Here: Liliana Porter’s Situational Portraits

Liliana Porter is a gatekeeper of emo­tional capacity, whose artwork is heav­ily informed by the…

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Review:  Acoustic Shadows
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Review: Acoustic Shadows

Acoustic Shadows Dallas Museum of Art November 2011–October 2012 From time to time a work…

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Review:  Gerardo R
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Review: Gerardo R

Gerardo R: Un Día a La Vez Start Gallery Dallas March 3–April 15, 2012 Terrible…

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Painting as Painting
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Painting as Painting

Dallas painter and post-medium practitioner Ludwig Schwarz loves a good glitch every now and then.…

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Review:  The Age of Impressionism
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Review: The Age of Impressionism

The Age of Impressionism: Great French Paintings from the Clark Kimbell Art Museum, Fort Worth…

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Review:  “Word Spirit”
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Review: “Word Spirit”

“Word Spirit” Crow Museum of Asian Art, Dallas February 25–May 5, 2012 There may be…

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Review:  Michael O’Keefe “Continuum”
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Review: Michael O’Keefe “Continuum”

Michael O’Keefe: Continuum Valley House Gallery and Sculpture Garden, Dallas February 25–March 31, 2012 Figurative…

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Review:  Joseph Glasco
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Review: Joseph Glasco

Joseph Glasco: Paintings from the Estate Talley Dunn Gallery, seek Dallas March 2–April 14, 2012…

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ARTifacts:  April 2012
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ARTifacts: April 2012

Maxwell L. Anderson, the new director of the Dallas Museum of Art, has appointed Robert…

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Those Were the Days
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Those Were the Days

Few moments in American cultural history are as readily recognized as the “roaring” twenties —…

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Artfully Stated
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Artfully Stated

William Powhida is a visual artist and former art critic who continues to blaze the way forward with…

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Review:  Elliott Hundley
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Review: Elliott Hundley

Elliott Hundley Nasher Sculpture Center, Dallas January 28–April 22, 2012   While ancient Greek texts…

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Review:  “Border”
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Review: “Border”

“Border” Photos Do Not Bend Gallery, vcialis 40mg Dallas February 18–May 5, viagra order 2012…

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The Pop World of Ruben Nieto
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The Pop World of Ruben Nieto

Ruben Nieto, UT Dallas doctoral candidate and artist in residence at Centraltrak, has re-imagined his…

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Watercolor Round-Up
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Watercolor Round-Up

Now on exhibit, the Amon Carter Museum of American Art presents more than 100 of…

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French Invade Fort Worth
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French Invade Fort Worth

On March 11, “The Age of Impressionism: Great French Paintings from the Clark” opens at…

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From Russia With Love
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From Russia With Love

Irina Chmyreva and Evgeny Berezner do not rush to answers. After each question, there is…

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A Day at the Museum
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A Day at the Museum

Talking about art is good for kids’ minds: it helps them think critically, develop strong…

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Young Masters at DMA
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Young Masters at DMA

Peruse the concourse of the Dallas Museum of Art this month and 53 pieces of…

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A Collision of Thoughts
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A Collision of Thoughts

Born and bred in New York City, artist Glenn Ligon infuses the sumptuous surfaces of…

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Review:  Luminous
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Review: Luminous

As the name suggests, “Luminous” is a show meant to shine light on, well, light.…

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Review:  Otabenga Jones “Fort HMAAC
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Review: Otabenga Jones “Fort HMAAC

“Fort HMAAC” is the latest offering from Houston-based collective Otabenga Jones. The inaugural exhibition marking…

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Review:  Brendan Cass “Texas”
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Review: Brendan Cass “Texas”

Brendan Cass’ bright landscapes may seem crude, garish and generally unsettling at first, but the…

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Review:  “Revelation:  Major Paintings by Jules Olitski”
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Review: “Revelation: Major Paintings by Jules Olitski”

“Revelation: Major Paintings by Jules Olitski” is a tight and quietly heroic retrospective of the…

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Review:  Lia Cook “Bridge 11”
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Review: Lia Cook “Bridge 11”

These photographs aren’t prints: they’re woven fabric. Trading pixels for thread, Lia Cook weaves photography…

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Review:  Joel Shapiro “New Installation”
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Review: Joel Shapiro “New Installation”

Installation art can mean many things. Often it suggests the contiguity and continuity of stuff,…

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Ruffling the Fringe
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Ruffling the Fringe

WOULD YOU ATTEND YOUR OWN funeral? Would you let a stranger wash your hair? Would…

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Cut and Paste
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Cut and Paste

IN A 1929 PHOTOGRAPH BY RUSSIAN avant-garde artist El Lissitzky, an extreme close-up of an…

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Strait To Houston
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Strait To Houston

IRINA CHMYREVA AND EVGENY Berezner do not rush to answers. After each question, there is…

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Creating In Motion
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Creating In Motion

Sublimation Simulacrum January 7–February 11 Cohn Drennan Contemporary www.cohndrennancontemporary.com If there’s anything Dallas born sculptor…

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Review: Antonio Murado
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Review: Antonio Murado

Antonio Murado Holly Johnson Gallery, Dallas January 7–February 11, 2012 Some shows transform a gallery…

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Review:  Joseph Havel
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Review: Joseph Havel

Joseph Havel Talley Dunn Gallery, Dallas January 14–February 25, 2012 When art places us squarely…

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Review:  Luther Smith
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Review: Luther Smith

We may not take the time to notice, but there are patches of wilderness that…

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Review:  Angel Fernandez and Kit Reisch
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Review: Angel Fernandez and Kit Reisch

Variety of style and reference, scale and medium, motivation and effect — with Angel Fernandez…

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Review:  KAWS
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Review: KAWS

KAWS Modern Art Museum of Fort Worth December 11, price 2011–February 19, 2012   The…

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SURVEYING THE SCENE
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SURVEYING THE SCENE

A statewide preview of some interesting new shows   GLENN LIGON: AMERICA Modern Art Museum…

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POPAGANDA:  Shepard Fairey
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POPAGANDA: Shepard Fairey

Punk rock skateboarder turned infamous street artist, Shepard Fairey moves beyond guerrilla-style art to forge…

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